Build your own instrument
Small system.
Big possibilities.
Start with a voice. Add a rhythm. Follow your curiosity. Explore the modules included in every licence.
The module set
21 types · shown in the default finish
TRANSLATOR
MIDI to control voltage
Turns your keyboard into control voltage: pitch at 1.2 volts per octave, a gate pulse, and velocity. Sub-block staccato still triggers cleanly.
WAVEFORM REACTOR
DUAL FOLDING oscillator
A principal oscillator folds its own sine into brass and bell timbres, with a second oscillator modulating pitch, timbre or amplitude.
WARP CORE
Wavefolding oscillator
Phase distortion and bit crushing, oversampled twice over so it grits without aliasing. Where the Waveform Reactor blooms, this one snarls.
THRUSTER ARRAY
Quad function generator
Four independent envelopes. Each runs as a one-shot transient, a sustained shape that holds while gated, or free-running cyclic - which makes it an LFO without changing modules.
IRIS GATE
Quad optocoupler-style gate
Four optocoupler-inspired dynamics gates. Level and brightness fall together with a two-stage, level-dependent decay.
PRISM
Triple morphing filter
Three channels that sweep continuously from low pass through band pass to high pass on one knob, each with its own CV input and resonance.
SPECTRA
Spectral processor
Sixteen bands with individual level control, odd, even and summed outputs, and an envelope follower - vocoding, formant shaping, or a filter bank you play by hand.
DOPPLER
Frequency shifter
True single-sideband shifting, not pitch shifting: everything moves by the same number of hertz, so harmonics land inharmonically. Up, down and ring outputs.
FLIGHT PATH
16-stage sequencer
Two sixteen-stage channels with independent clocks, sixteen scales and a root note, quantised or free. Run them at different lengths for polyrhythm.
ORBIT
Arbitrary function generator
Twelve stages around a wheel with its own clock and glide - looser and more circular than a step sequencer.
PULSAR
Clock + ratchet
A swinging master clock with divider sets (odd, prime, Fibonacci, powers of two), ratchet bursts and a density-thinned output for patterns that breathe.
UNCERTAINTY DRIVE
Noise + random voltages
White, pink and red noise, two fluctuating random voltages and quantised random steps. The module that makes a patch never repeat itself.
CONTACT PLATE
Touch controller
Capacitive touch plates that output pitch, a gate pulse and pressure - play it with your fingers instead of a keyboard.
MEMORY CORE
Loop recorder
Records MIDI loops quantised to the bar and stores them inside the patch, so a saved file plays back exactly as you left it.
TIME RIFT
Delay
Dual delay that locks to your host tempo with snapping musical divisions, plus ping-pong panning, cross-feed and damping.
VOID CHAMBER
Reverb
An eight-line feedback reverb that goes from a tight room to twenty seconds of decay, with pre-delay, size, damping and diffusion.
VECTOR FIELD
Quad spatial router
Four sources orbiting a two-dimensional field, distance-weighted across four outputs - motion rather than static panning.
CONFLUX
Mixer + preamp
Six channels with panning and level, CV over the first two pans, and a preamp stage for driving the rest of the system harder.
FLIGHT COMPUTER
8-slot preset computer
Eight slots holding factory presets or your own saved patches, stepped forward, ping-pong or at random - by its own clock, a patch cord, or a control voltage. Set a morph time and the instrument does not jump between them: every knob glides across, so one patch becomes the other while it plays.
UTILITY BAY
Four swappable bays
Four bays you assign: attenuator, slew limiter, AR envelope, VCA or LFO. The utility module that fills whatever gap a patch leaves.
THE BRIDGE
Output + master
Four inputs with absolute panning into the stereo bus, and the master output stage everything eventually arrives at.